From the conceptual to the technical, from preparation to image editing, tips on various aspects of landscape photography. New articles every month.
Case study: a telephoto landscape from conception to editing The image above is relatively old, taken one evening in early June of 2010. But I still quite vividly remember the outing, the decisions I made, and the hurdles I had to overcome. And I’d like to share with you what went into the creation of …
Knowing where to focus in landscape photography is important, and it seems to be an issue that many beginning, or even intermediate, photographers struggle with. We usually want everything in our scene to appear sharp, and depth of field is a finite resource, which needs to used skillfully. I’ll try to explain my approach to …
Why worry about contrast? If you’ve been taking photos for any length of time, you will have noticed that sometimes the camera fails to properly capture contrast in your scenes. Or in other words, sometimes the picture looks more contrasty than the scene did to your naked eye. In extreme cases vast portions of the …
How to use polarising filter to control contrast Read More »
Case study: a seascape from idea to postproduction Everyone has a preferred way of learning. If you like learning by example and analysis of others’ work, and you feel you can improve your seascapes, then read on. As I shall explain in detail how I created the above photo from idea to postproduction. Including all …
What camera settings to use for landscape photography I’ve compiled a simple list of essential camera settings that I use in my landscape photography on a regular basis. But if you’re anything like me and you like to know not only what, but also why and how… read on. Or click on a specific setting …
What camera settings should I use for landscape photography? Read More »
Technically almost everything we see, and our cameras capture, is reflected light. Unless we happen to be looking straight into a light source. So I am referring to something more specific in the “magic of reflected light”. Perhaps you could call it secondary reflected light… Hallowe’en sunset at the churchyard in Rusper. A stocky bright …
If you’ve ever tried to photograph a woodland, you’ll know that it’s not easy to do it justice in a still image. Woods and forests are visually busy environments. And that often makes carving meaningful compositions out of them a challenge. Moreover, if you try to shoot in direct sunlight, harsh patchy contrast makes things …
I sometimes get confused looks when I ask my audiences, photography workshops guests or just friends interested in photography – do you know what “blue hour” is? I’ll try to explain what it means in this article, as it is one of my favourite lighting scenarios for landscape, especially cityscape, photography. First what Blue Hour …
